MGM, 1944
Starring Judy Garland, Margaret O'Brian, Tom Drake, and Louise Bremer
Directed by Vincent Minnelli
Music and Lyrics by various
Yes, I know this one is set on every holiday but Thanksgiving...but it does discuss the importance of home, family, and being thankful for those around us and what we have. It was a huge hit during World War II, at a time when many Americans were fondly looking back at the simpler, gentler world of their youth. How does this nostalgic trip into the life of the Smith family in 1903 look now? Let's peek on the Smiths at their home in St. Louis, Missouri and find out...
The Story: As we join the Smiths, the biggest excitement in the family is oldest sister Rose's (Bremer) beau calling her long-distance from New York during a family dinner and the construction of the World's Fair that will debut in the spring. Second-oldest sister Esther (Garland) is more interested in drooling over John Truitt (Drake), the handsome boy next door. She tries to encourage him during a family party, but he's oblivious to her advances. She finally gets through to him on a trolley ride to the fair grounds under construction.
Little sisters Tootie (O'Brian) and Agnes (Joan Carroll) go out as "horrible ghosts" to join the kids for playing tricks on Halloween. When one of their pranks goes wrong, Tootie runs home crying, claiming John Truitt hurt her. Esther runs over to him and pounds on him before she learns that Tootie lied. He was actually trying to keep the girls from the police. Mr. Smith (Leon Ames) creates even more havoc when he comes home and reveals that he took a new job in New York and they'll be moving there after Christmas. Everyone is upset, until he reminds them that they're still together.
It comes to a head at the local Christmas ball and afterwards, where Esther realizes how much she loves John and how upset she is when he can't come. After he sees Tootie destroying her snowmen because she can't bring them along, Mr. Smith finally realizes how much his family loves their home and how important St. Louis is about to become.
The Song and Dance: Garland was trying to distance herself from the kiddie roles she'd mostly played until then and was wary of playing another moony teen, but she ended up putting in one of her best performances as love-struck Esther. I especially loved her laying into John Truitt - do not attack that girl's family or get her upset! In fact, the entire cast is a delight, including O'Brian as the rather macabre Tootie, Ames as the eternally exasperated patriarch of the family, Majorie Main as the down-home maid Katie, and Harry Davenport as sassy Grandpa.
The production is just lovely, especially for wartime. The Technicolor cinematography and the historically-accurate sets and costumes give us a wonderful feel for a changing St. Louis of the early 20th century, from girdles and pianos to the glowing gowns at the Christmas ball and those snowpeople poor Tootie destroys. The Halloween sequence is incredibly atmospheric and spooky, with some wonderful, shadowy work from Vincent Minnelli.
And..I just love how realistic all this is, even now. Having grown up in a family of mostly women, I remember what it was like to have your whole family hear you talk to boyfriends on the phone (even after cell phones came into regular usage), drool over a guy from afar, and get Dad back in the loop when he comes home from work.
Favorite Number: We open with the title song, which is ably passed from family member to family member as we're introduced to everyone. "Skip to My Lou" is a delightful chorus number for the younger family members and their friends, while Garland and O'Brian do an adorable cakewalk to a genuine 1903 hit, "Under the Bamboo Tree."
Garland gets to sing the film's three best numbers. She introduces the longing "The Boy Next Door" as she admires Truitt from afar in the opening number. "The Trolley Song" is another big chorus number, probably the film's most famous, as Esther excitedly sings about how she found love on the trolley, with some fairly spirited choreography. The standard here is the touching "Have Yourself a Merry Little Christmas," which Esther sings to comfort Tootie Christmas Eve and assure her that everything will be fine, despite the move.
Trivia: "Merry Little Christmas" had even sadder lyrics when it was first written. Garland thought they were too depressing to sing to a little kid and requested that they be changed.
A TV version debuted in 1959, with Jane Powell as Esther and Patty Duke as Tootie. A 1966 pilot with Shelley Fabares and Celeste Holm wasn't picked up for a regular series. It debuted as a Broadway show in 1989, but it lasted less than a year.
Garland met and fell in love with Minnelli while working on this movie.
What I Don't Like: My sisters and I loved this movie. Dad, on the other hand, was baffled, and many men may be likewise. The Halloween sequence used to scare my brother silly when he was a kid, and it may be a little much for some other younger members of the audience as well.
The Big Finale: One of my favorite musicals, and one of Garland's best movies. Check this one out with your own family over Thanksgiving dinner.
Home Media: Easily found in all formats, including two 2-disc special editions.
DVD
Blu-Ray
Amazon Prime
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