Disney, 1963
Starring Haley Mills, Dorothy McGuire, Burl Ives, and Deborah Walley
Directed by James Neilson
Music and Lyrics by Richard and Robert Sherman
This was the musical I originally planned on reviewing Thursday night in honor of the summer season coming to a close. I'll use it to inaugurate Family Fun Saturday instead. On some Saturdays, instead of reviewing an animated film, I'll cover a live-action musical that your whole family can enjoy. We're heading to Maine in the 1910's for our first entry, one of four live-action musicals Walt Disney made in his lifetime. Is this as magical as his animated classics, or does it fizzle like a stale lemonade? Let's find out...
The Story: Nancy Carey (Mills) lives with her brothers and recently widowed mother (McGuire) in Boston in the early 1910's. She's a romantic and fanciful teen girl who never stops talking about her favorite books and her many ideas. One of those ideas is writing to the caretaker of an old house in a small town in Maine. The caretaker is Oshum Popham (Ives), the laid-back owner of the the town's general store. He's a bit surprised to see them at first, as Nancy's letter greatly exaggerated their situation, but he and his son Digby (Michael J. Pollard) and shy daughter Lallie Joy (Wendy Turner) welcome them anyway. The original owners of the house are rich people who are out of town and supposedly gave Popham carte blanche to do whatever he liked with it.
They're settling in nicely, including the huge sheepdog that little Peter (Jimmy Mathers) adopts, when they receive a message that their cousin Julia (Walley) is moving in with them. Julia is spoiled and obnoxious, constantly talking about her foster family's money and position. Her refusal to help the family fix up the house and constant arguing with Nancy doesn't help matters. Their rivalry comes to a head when handsome Charles Bryant (James Stacy) moves to town. Frilly Julia is the one who gains his favor, leading Nancy to lash out. The girls do make up from their quarrel, and Julia even agrees to help her cousin with her wardrobe.
On the day of their big Halloween party, Nancy discovers that the owner of the house (Peter Brown) has come back...and he's not entirely happy with what Popham has done or with the Careys living there. But as Osh tells his sour wife Mariah (Una Merkel), things always work out in the end...
The Song and Dance: The movie is mostly carried by Mills, who is adorable as the chatty and excitable Nancy, and Ives as good-natured, eternally optimistic Popham. McGuire also makes a warm, firm-but-gentle Mrs. Carey, and Walley is appropriately haughty as snobbish and insecure Julia. I really like Pollard's stoic Digby and wish he hadn't disappeared to Boston for most of the movie. The fine widescreen cinematography and lovely costumes ably capture rural New England of a hundred years ago. I
Favorite Number: "The Ugly Bug Ball," which Popham sings with Peter as they work on the house, is probably the best-known song from this film (thanks to it's inclusion on the old Disney Sing-A-Long Songs videos). The charming "On the Front Porch" has Ives singing with the cast on the porch of the old house. It and "Summer Magic," performed by McGuire and her children early in the film (once again on the porch), are two of the Shermans' best slower numbers. "Femininity," which has Julia and Nancy giving advice to Lallie Joy on how to win the man of her dreams, is a very cute trio that shows off the Shermans' love of playing with big words. Julia is introduced before we even meet her by the hilarious "The Pink of Perfection," which shows just how unimpressed her cousins are with her high-falutin' airs.
What I Don't Like: This isn't for people who like their musicals big, brassy, and bold. There's no noise or elaborate chorus numbers, and the story is pretty much just a small family drama. Some of the views of city slickers vs country folk and how women should behave (especially when in pursuit of the opposite sex) may look a bit dated to many viewers today.
The Big Finale: All of Disney's live-action theatrical musicals deserve more love, and this one is no exception. If you're a fan of Mills or Ives or loved other musical excursions into early 20th century nostalgia like Meet Me In St. Louis, you'll want to spend a magical summer with the Careys in Maine at the Little Yellow House, too.
Home Media: Not on Blu Ray at press time, but it is on DVD (in widescreen, a rarity for Disney's older movies) and on Amazon Prime.
DVD
Amazon Prime
Reviews of musical films, from 1930s black and white to widescreen 21st century extravaganzas.
Showing posts with label Em's Gems. Show all posts
Showing posts with label Em's Gems. Show all posts
Saturday, September 8, 2018
Tuesday, September 4, 2018
Back to School Again Double Feature - Grease and Grease 2
In honor of Labor Day and many students returning to school this week, we're touring Rydell High School, where the Pink Ladies and T-Birds rule the hall in the late 50's and early 60's. A pair of shy newcomers from England and Australia may be turning heads and hearts, but they're as square as they come. They can't fit in with the ultra-cool American cliques...until they make a few changes..
Grease
Paramount, 1978
Starring Olivia Newton-John, John Travolta, Stockard Channing, and Jeff Conaway
Directed By Randal Kleisner
Music by Jim Jacobs, Warren Casey, and others
The Story: It's the fall of 1958. Australian Sandy Olsen (Olivia Newton-John) just spent the summer of her life with handsome Danny Zuko (Travolta). Danny gets quite a shock when he runs into Sandy at Rydell. He just told pretty much every guy at school he spent the summer making out with her, which turns out to be far from the case. Sandy doesn't know what to make of him, or her new friends the Pink Ladies, who smoke and drink as much as the boys.
She finally gets fed up with his posturing and breaks up with him after another girl cuts in on them at the school dance and he tries to put the moves on her. The both decide that the best way to win their sweethearts back is to show that they can be what the other wants from them - that Danny can do an activity besides hanging out with the guys, and Sandy can be as tough as anybody. Meanwhile, sweet-natured Pink Lady Frenchy is having problems in beauty school, while sassy Rizzo is having her own trouble with her boyfriend Kenckie (Conaway), who seems more interested in the junker car he wants to race than in her and her possible blessed event.
The Song and Dance: What I've always liked about this movie is the late 70's grit that's attached itself to this late 50's tale. The "teens" may be played by adults, but they still talk like teenagers, even now. There's some mildly dark touches, including Rizzo's little problem in the second half of the film. Newton-John and Travolta's palpable chemistry makes them a lot of fun to watch. I also like Conn's upbeat Frenchy, Channing and Conaway as the second couple, and 50's TV actors Eve Arden, Sid Caeser, and Alice Ghostly as the principal and staff of Rydell.
Favorite Number: Almost every song in this movie, from the split-screen ensemble number "Summer Nights" that reveals Sandy and Danny's differing views on just what happened during their summer idyll, to their "You're the One That I Want" in the fun house towards the end, is pretty much considered iconic today. I've always loved the school dance sequence, with it's colorful costumes and awesome choreography by Patricia Birch. There's more energy in that number than in many musicals with twice the budget, and everyone looks like they're having a great time. All the little cutaway gags (like Sonny "washing his hands" with the punch bowl) add to the fun.
What I Don't Like: As good as Newton-John looks in her tight black leather outfit and perm, the ending, both in the original show and the movie, always felt tacked-on to me. I kind of wish we'd seen Sandy considering making changes a little earlier, as they did with Danny and the sports teams.
I also wish they'd kept more of the songs from the original Broadway show. The film's soundtrack includes Broadway songs they used in the background, like "Freddy My Love" and "It's Raining on Prom Night," and I think a lot of them could have been worked in for other characters. Everyone sings in the stage show; only Danny, Sandy, and Rizzo get solos here.
The Big Finale: The nitpick about Sandy's change and the missing songs aside, this is by far one of the most beloved and enjoyable musical films of the latter half of the 20th century. A must-see for fans of Travolta and Newton-John or musical comedies. (I haven't seen the live version from two years ago that aired on Fox, but it's gotten some sterling reviews. I really need to pick that one up somewhere along the line.)
Home Media: DVD
Blu-Ray
4K
Grease 2
Paramount, 1982
Starring Michelle Pfiffer, Maxwell Caulifield, Adrian Zmed, and Lorna Luft
Directed by Patricia Birch
Music by Louis. St. Louis and others
The Story: We're back at Rydell, but it's now 1961. John F. Kennedy's inauguration earlier that year has unleashed a new spirit of optimism and freedom in the US...and that applies to the Pink Ladies and T-Birds, too. Head Pink Lady Stephanie Zanoni (Pfiffer) is a tough tomboy who is tired of her obnoxious and immature boyfriend, head T-Bird Johnny Nogarelli (Zmed) and is shopping around for someone who is both cooler and more sophisticated.
Enter Michael Carrington (Caulifield), an exchange student from England who immediately gets a crush on Stephanie. No matter how brilliant or good-looking he is, he has three strikes against him. He's shy with the opposite sex, an A+ student, and is more interested in Shakespeare than motorcycles. He uses his brains to earn money from the T-Birds, then buys a motorcycle and more-or-less becomes Rydell's own bike-riding, leather-wearing mystery man. Stephanie's smitten, Johnny's jealous, and half the school is talking about him. Michael's having some doubts about keeping up the charade, though, especially after Stephanie's interest in him leads to her estrangement from the T-Birds/Pink Ladies group.
The Song and Dance: It's too bad Caulifield's career hit a snag after this. He and Pfiffer actually work quite well together as the tomboy looking to break out of the mold and the intelligent Brit who thinks she's the greatest thing since Hamlet. Zmed's Johnny and Christopher MacDonald as his dim-witted buddy Goose are also pretty funny. I've always appreciated how Michael's adaption of the mystery man persona is a lot more gradual than Sandy's sudden about-face...and that he and Stephanie learn that he doesn't have to change himself entirely for her. She actually likes him the way he is, long words and all.
Favorite Number: Nothing tops the dynamic "Back to School Again," which besides being the best song in the film, introduces all the leads and perfectly sets up everything that's to be come. The bowling number "Score Tonight" and the hilarious "Reproduction" are also fun. I like how the Pink Ladies' "Girl for All Seasons" number in the talent show really does look like something a group of teenage girls would throw together for a high school show in the early 60's. "Cool Rider" is a long-time favorite in my family (especially since my stepdad actually did ride a motorcycle until recently), and Pfiffer throws her all into it.
Trivia: According to Wikipedia, there were some scenes cut from the film and lost, including one that shows how Rhonda really hurt her nose, Michael showing up as himself at the talent show, to Stephanie's dismay, and Frenchy going further into helping Michael learn to ride a motorcycle. I hope these turn up one of these days.
The script wasn't finished until well after filming began (which does explain a lot about the end product).
What I Don't Like: For every song that does work, or at least has a good routine going, there's two with awkward lyrics or bland or drippy music, including both of the solo ballads and the final number, the awful "We'll Be Together." Caulifield may have chemistry with Pfiffer and be easy on the eyes, but he can't sing or dance worth a darn. This is especially apparent in his clumsy "Charades" and when he's obviously watching his feet in the finale of "Together." While he was a jerk about it, Johnny was kind of right that Paulette's Miss June costume was really too risque for a high school show. I'm surprised she got away with it. And yes, the plot has pretty much been recycled from the original film. Even the "mystery man" twist can't do much to hide the feeling of deja vu.
The Big Finale: Critics continue to roast this movie to this day, and audiences remain divided. Some enjoy the cheesiness and the overall energy, while others think it's a travesty and a poor way for Pfiffer to begin her career. Maybe it's because I grew up watching this on cable frequently in the early 80's, but count me in the former category. While probably not at the level of the first movie, I think this is a bit underrated. Worth checking out if you love Pfiffer, the first film, or other school musical tales.
Home Media: My solo copy of the DVD is currently out of print; your best bet may be to pick this one up in a double feature with the first film.
DVD
DVD 2-Pack (with Grease)
Blu-Ray 3-Pack (with Grease and Grease: Live!)
Grease
Paramount, 1978
Starring Olivia Newton-John, John Travolta, Stockard Channing, and Jeff Conaway
Directed By Randal Kleisner
Music by Jim Jacobs, Warren Casey, and others
The Story: It's the fall of 1958. Australian Sandy Olsen (Olivia Newton-John) just spent the summer of her life with handsome Danny Zuko (Travolta). Danny gets quite a shock when he runs into Sandy at Rydell. He just told pretty much every guy at school he spent the summer making out with her, which turns out to be far from the case. Sandy doesn't know what to make of him, or her new friends the Pink Ladies, who smoke and drink as much as the boys.
She finally gets fed up with his posturing and breaks up with him after another girl cuts in on them at the school dance and he tries to put the moves on her. The both decide that the best way to win their sweethearts back is to show that they can be what the other wants from them - that Danny can do an activity besides hanging out with the guys, and Sandy can be as tough as anybody. Meanwhile, sweet-natured Pink Lady Frenchy is having problems in beauty school, while sassy Rizzo is having her own trouble with her boyfriend Kenckie (Conaway), who seems more interested in the junker car he wants to race than in her and her possible blessed event.
The Song and Dance: What I've always liked about this movie is the late 70's grit that's attached itself to this late 50's tale. The "teens" may be played by adults, but they still talk like teenagers, even now. There's some mildly dark touches, including Rizzo's little problem in the second half of the film. Newton-John and Travolta's palpable chemistry makes them a lot of fun to watch. I also like Conn's upbeat Frenchy, Channing and Conaway as the second couple, and 50's TV actors Eve Arden, Sid Caeser, and Alice Ghostly as the principal and staff of Rydell.
Favorite Number: Almost every song in this movie, from the split-screen ensemble number "Summer Nights" that reveals Sandy and Danny's differing views on just what happened during their summer idyll, to their "You're the One That I Want" in the fun house towards the end, is pretty much considered iconic today. I've always loved the school dance sequence, with it's colorful costumes and awesome choreography by Patricia Birch. There's more energy in that number than in many musicals with twice the budget, and everyone looks like they're having a great time. All the little cutaway gags (like Sonny "washing his hands" with the punch bowl) add to the fun.
What I Don't Like: As good as Newton-John looks in her tight black leather outfit and perm, the ending, both in the original show and the movie, always felt tacked-on to me. I kind of wish we'd seen Sandy considering making changes a little earlier, as they did with Danny and the sports teams.
I also wish they'd kept more of the songs from the original Broadway show. The film's soundtrack includes Broadway songs they used in the background, like "Freddy My Love" and "It's Raining on Prom Night," and I think a lot of them could have been worked in for other characters. Everyone sings in the stage show; only Danny, Sandy, and Rizzo get solos here.
The Big Finale: The nitpick about Sandy's change and the missing songs aside, this is by far one of the most beloved and enjoyable musical films of the latter half of the 20th century. A must-see for fans of Travolta and Newton-John or musical comedies. (I haven't seen the live version from two years ago that aired on Fox, but it's gotten some sterling reviews. I really need to pick that one up somewhere along the line.)
Home Media: DVD
Blu-Ray
4K
Grease 2
Paramount, 1982
Starring Michelle Pfiffer, Maxwell Caulifield, Adrian Zmed, and Lorna Luft
Directed by Patricia Birch
Music by Louis. St. Louis and others
The Story: We're back at Rydell, but it's now 1961. John F. Kennedy's inauguration earlier that year has unleashed a new spirit of optimism and freedom in the US...and that applies to the Pink Ladies and T-Birds, too. Head Pink Lady Stephanie Zanoni (Pfiffer) is a tough tomboy who is tired of her obnoxious and immature boyfriend, head T-Bird Johnny Nogarelli (Zmed) and is shopping around for someone who is both cooler and more sophisticated.
Enter Michael Carrington (Caulifield), an exchange student from England who immediately gets a crush on Stephanie. No matter how brilliant or good-looking he is, he has three strikes against him. He's shy with the opposite sex, an A+ student, and is more interested in Shakespeare than motorcycles. He uses his brains to earn money from the T-Birds, then buys a motorcycle and more-or-less becomes Rydell's own bike-riding, leather-wearing mystery man. Stephanie's smitten, Johnny's jealous, and half the school is talking about him. Michael's having some doubts about keeping up the charade, though, especially after Stephanie's interest in him leads to her estrangement from the T-Birds/Pink Ladies group.
The Song and Dance: It's too bad Caulifield's career hit a snag after this. He and Pfiffer actually work quite well together as the tomboy looking to break out of the mold and the intelligent Brit who thinks she's the greatest thing since Hamlet. Zmed's Johnny and Christopher MacDonald as his dim-witted buddy Goose are also pretty funny. I've always appreciated how Michael's adaption of the mystery man persona is a lot more gradual than Sandy's sudden about-face...and that he and Stephanie learn that he doesn't have to change himself entirely for her. She actually likes him the way he is, long words and all.
Favorite Number: Nothing tops the dynamic "Back to School Again," which besides being the best song in the film, introduces all the leads and perfectly sets up everything that's to be come. The bowling number "Score Tonight" and the hilarious "Reproduction" are also fun. I like how the Pink Ladies' "Girl for All Seasons" number in the talent show really does look like something a group of teenage girls would throw together for a high school show in the early 60's. "Cool Rider" is a long-time favorite in my family (especially since my stepdad actually did ride a motorcycle until recently), and Pfiffer throws her all into it.
Trivia: According to Wikipedia, there were some scenes cut from the film and lost, including one that shows how Rhonda really hurt her nose, Michael showing up as himself at the talent show, to Stephanie's dismay, and Frenchy going further into helping Michael learn to ride a motorcycle. I hope these turn up one of these days.
The script wasn't finished until well after filming began (which does explain a lot about the end product).
What I Don't Like: For every song that does work, or at least has a good routine going, there's two with awkward lyrics or bland or drippy music, including both of the solo ballads and the final number, the awful "We'll Be Together." Caulifield may have chemistry with Pfiffer and be easy on the eyes, but he can't sing or dance worth a darn. This is especially apparent in his clumsy "Charades" and when he's obviously watching his feet in the finale of "Together." While he was a jerk about it, Johnny was kind of right that Paulette's Miss June costume was really too risque for a high school show. I'm surprised she got away with it. And yes, the plot has pretty much been recycled from the original film. Even the "mystery man" twist can't do much to hide the feeling of deja vu.
The Big Finale: Critics continue to roast this movie to this day, and audiences remain divided. Some enjoy the cheesiness and the overall energy, while others think it's a travesty and a poor way for Pfiffer to begin her career. Maybe it's because I grew up watching this on cable frequently in the early 80's, but count me in the former category. While probably not at the level of the first movie, I think this is a bit underrated. Worth checking out if you love Pfiffer, the first film, or other school musical tales.
Home Media: My solo copy of the DVD is currently out of print; your best bet may be to pick this one up in a double feature with the first film.
DVD
DVD 2-Pack (with Grease)
Blu-Ray 3-Pack (with Grease and Grease: Live!)
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