Starring Bing Crosby, Frances Farmer, Bob Burns, and Martha Raye
Directed by Norman Taurog
Music and Lyrics by various
We return to the laid-back world of crooner Bing Crosby with our first two reviews this week. It's not well-remembered nowadays, but Crosby had a strong influence on country music. Though this would be his only musical western, he frequently incorporated western music and country songs into his act, introducing it to audiences outside its usual rural demographics. He became one of the earliest singing cowboys in this entry, just as more authentic cowboy Gene Autry was becoming popular. How does this story of a runaway heiress who falls for a rodeo rider while fleeing out west look now? Let's start not on the range, but at a modern penthouse prepared for a wedding, and find out...
The Story: Doris Halliday (Farmer) is tired of settling for dull but wealthy men. Her Aunt Penelope (Lucile Gleason) wonders why she's marrying someone she doesn't love. Hoping to find a tougher breed of man, Doris stows away on a boxcar with cowboy Jeff Larrabee (Crosby) and his just-bought steer Cuddles.
Neither Cuddles nor Jeff take to Doris at first, especially after Cuddles chases her in a red scarf and they end up stranded. Doris makes up for it by snaring a car and trailer to take them west. When they arrive, they learn that Jeff's partner Buck (Burns) is now engaged to the very aggressive Emma Mazda (Raye), whom he met on the train. He thinks Jeff should do the same with Doris, but Aunt Penelope worries that Jeff is a gold-digger. Doris knows what real gold-digging is like, and she's ready to tell Jeff she loves him for real.
The Song and Dance: This is really more of a musical than a western, but as such, it has a lot of good moments. Bing's not the most believable cowboy in the world. He does much better crooning "I'm an Old Cowhand" than dealing with the cows. Bob Burns looks and sounds more like a country sidekick. He's especially funny early-on in New York, putting one over on the city slickers. Raye makes a very funny debut as the noisy city gal who falls for Burns while looking for her brother out west. She has some of the best moments in the second half, including jumping around Burns near a freshly-dug well and her exuberant performance of "Mr. Paganini." We also get some rare outdoor shooting for the time at the Alabama Hills in the Sierra Nevada and in New York.
Favorite Number: Our first number is Jeff singing the ballad "Empty Saddles" during the Madison Square Garden rodeo, one of two standards to come from this film. We get many reactions from the touched cowboys around the arena as they remember their own friends they lost. He sings "Roundup Lullaby" to Doris in the boxcar and laments "I Can't Escape From You" after that car she stole busts a tire. He admonishes Cuddles to "Settle Down You Cattle."
The majority of the songs are performed after they've all arrived at the ranch during an engagement party for Buck and Emma. "Mr. Paganini" is Emma's energetic satire of opera, noisily comparing it to swing music. She also briefly gets "Love In Bloom." Jeff joins Russian cowboy Mischa (Leonard Kinsky) for the Russian drinking song "Drink It Down." Look for Louis Prima and Roy Rogers with the Sons of the Pioneers in this number, "One More Ride," and the other big hit from this movie, "I'm an Old Cowhand."
Trivia: Film debut of Martha Raye; first major role for Bob Burns. We even get to see his famous "bazooka" home-made musical instrument when he's fleecing the cowboys at Madison Square Garden.
Though the arena sequences were filmed at Madison Square Garden in New York City, it's not the current Garden that hosts concerts, the Knicks, and the Rangers. This one was the third version, which was demolished in 1968 after the current arena was built.
What I Don't Like: Even Rogers' 40's and 50's vehicles have more west in them than this. This is less a western than a cross between a Bing Crosby movie and the runaway heiress screwball comedies that were popular in the 30's. Troubled Farmer is at least a little bit more interesting than most of the women Bing crooned to in his movies, but other than stealing the car, she doesn't have that much to do. As is common for Bing's vehicles in the 30s, the film stops cold so Raye, Burns, Crosby, and the Sons of the Pioneers can do unrelated numbers.
The Big Finale: Fun for fans of Bing, country music, or those wondering where all those singing cowboy films of the 30's, 40's, and 50's got their start.
Home Media: Not officially online, but it can be easily found on DVD, on its own and as part of two Bing Crosby sets.
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