Showing posts with label 2020s. Show all posts
Showing posts with label 2020s. Show all posts

Thursday, August 20, 2026

Musicals On TV - Camp Rock 3

Disney, 2026
Starring Liamani Segura, Hudson Stone, Sherry Cola, and Malachi Barton
Directed by Veronica Rodriguez
Music and Lyrics by various 

The Camp Rock movies were among the biggest musicals ever on the Disney Channel, probably just under the High School Musical films. Talk of a third movie had been tossed around since the second was a massive success in 2010, but Demi Lovato ran into scandal and the Jonas Brothers fell out of popularity. One way or another, plans for the third film were pushed aside until the film was formally announced in September 2025. Is the new generation of campers just as talented as the previous one, or should this camp finally be closed for good? Let's start with excited new camper Sage Scott (Segura) and her brother Desi (Stone) as their parents drive them to the camp and find out...

The Story: Sage is thrilled to be at the camp where rock legends like the now-major star Mitchie Torres (Demi Lovato) first made their mark. She's determined to become a great singer, leaving the band she had with Desi to join a prestigious music school. Desi's resentful and angry at Sage for what he sees as her abandoning him. His sister is just excited to be among fellow music-lovers like goofy drummer Cliff (Casey Trotter), sweet cellist and classical-music lover Rosie (Lumi Pollack), upbeat dancer Callie (Brooklyn Pitts), and Fletch (Barton), who has a bad boy reputation after he arrives in a cop car. There's also social media influencer Maddie (Ava Jean) and her two back-up dancers, who think they run the camp.

Rock group Connect 3 (the Jonas Brothers) have reunited for a tour, but they need an opening act after their original choice broke up. Their manager Lark (Cola) holds a contest at the camp, with the winner joining Connect 3 on the tour. As the kids take part in three challenges leading up to Final Jam, Sage grows to know each of them better. She grows especially fond of Fletch, who writes love songs and isn't the bad kid everyone assumes he is. Maddie, furious after Sage bumps her and gets her out during the second challenge so Desi can move on, does everything she can to discourage the finalists, from destroying their most prized possessions to filming them on a bus during the last challenge when the kids aren't supposed to have a phone at the camp. It's Sage who learns the lesson, though, when she hurts Fletch to save her career, then realizes that her new friends are more important than any contest.

The Song and Dance: First and foremost, this one gets points for kids who are a lot more likeable than the ones in the original film. Sage may be focused on her career, but she's not a bad kid and genuinely shows that she cares, especially in the second half once she apologizes to her brother. There's also references to the original films, from bits of songs to Sage finding Mitichie's original song notebook. The musical numbers remain the stand-outs, with the chorus numbers in particular awash in energy.

The Numbers: We open with Sage performing "Brand New Day" as the kids arrive at Camp. "Come On Over" shows Connect 3 filming a music video...and reveals that they're no longer getting along. The Camp Rock kids have more fun with "One Beat Away" in a high-energy chorus routine after the contest is announced. "Play My Music" is a montage of the campers playing the song as the first challenge, in every style from Rosie's classical cello to a salsa dancer to a hip-hop performer and even a young Sinatra imitator. "Tomorrow" is Fletch's sweet acoustic ballad that he writes after interviewing Sage for the songwriter's workshop. 

Fletch and Desi have a brief jam session that ends with Desi joking about Fletch's interest in his sister. "Start the Party" is the second challenge. The kids are supposed to show how well they can dance, but it ends with Sage bumping Maddie out to keep Desi, who doesn't dance, in. Angry, Maddie covers their most loved items in sequins and paint, leading to them throwing paint around to the tune of "It's On." Furious after the mess incident, Lark makes the last challenge having to live in a camp bus for 24 hours. The kids aren't happy at first, but the forced confinement turns into their group number "Echo." Desi and Sage finally reconcile singing "Rhythm's Only Right." 

The first number at the final jam goes to Cliff, who does a comic drum rap solo to "My Own Drum." Rosie's cello number is artier, until she breaks out the black-clad dancers and silver halter to "Play It My Way." Callie helps Desi and his dancers with the upbeat "Get Ready."  Fletch doesn't need dancers to reprise a now-longer "Tomorrow." Sage encourages Connect 3 to choose the other kids before singing "Work In Progress" without a band. The other kids eventually join her as they admit they may not be perfect, but they're looking forward to growing, as people and musicians. Connect 3 and the kids join for "We Rock" in the finale. The five finalists, Callie, and Maddie and her dancers perform "What It Takes" over the end credits.

What I Don't Like: The kids may be likable, but they're also bland. This manages to be even more cliched than the previous two movies. You can pretty much figure out what's going to happen with the contest way before the kids and Connect 3 do. Conflict is settled way too easily, especially after Maddie pretty much sells out Fletch to Lark over the song leak to save her career. Maddie and her back up dancers don't have nearly enough to do other than ruining their stuff. They probably should have been left in a little longer, or even made the final group. 

In fact, a lot of threads are picked up and dropped. There's a side plot with Callie teaching Desi to dance that's ignored when Callie vanishes mid-way through the film and isn't acknowledged again (even when Callie returns for the finale), and another one with Cliff having a crush on Rosie. Rose's transformation from demure classical cellist to artsy hard-rock performer is a little too abrupt, too. Wish we could have seen more of how that changed happened. 

The Big Finale: In the end, I suspect this franchise is just too bland for me, no matter how many stars it produces. For those who were huge fans of the original films or are in the appropriate 8 to 14 age range.

Home Media: This is a Disney Plus exclusive at the moment.

Tuesday, June 17, 2025

Musicals On Streaming - Emilia Perez

Netflix/Pathe, 2024
Starring Zoe Saldana, Karla Sofia Gascon, Selena Gomez, and Edgar Ramerez
Directed by Jacques Audiard
Music by Clement Ducol; Lyrics by Camille

Let's celebrate Pride Month and Juneteenth this week with our weekday entries, starting with this controversial Oscar-winner. It's telling that this one came from what was apparently originally intended to be an opera. The themes here of Emilia's self-journey and its tragic conclusion, certainly reach the near-operatic in its intensity...but it also engendered equally intense backlash, due to its filming in France rather than Mexico, to its Mexican roots not being portrayed authentically, the treatment of its transgender lead, and several comments its lead actress made just after the film's release. Just how wild of a ride is this movie? Let's begin in Mexico City with struggling lawyer Rita Moro Castro (Saldana) and find out...

The Story: Castro receives an offer she can't refuse from drug cartel kingpin Juan Del Monte (Gascon), who wants her to find a doctor who will turn him into the woman he always secretly wanted to be. She searches Thailand and Tel Aviv, finally finding a doctor who is willing to help Del Monte undergo the surgery. His wife Jessi (Gomez) and their sons are relocated to Switzerland for their safety, and he pays Rita handsomely. He emerges as a beautiful woman named Emilia Perez (Gascon) and starts out on her new life.

Four years later, Rita encounters Emilia again in London. Wanting to see her sons, Rita arranges for Jessi and the boys to live with Emilia. Jessi's more interested in reuniting with her old flame Gustavo Brun (Ramerez). Emilia, feeling regretful over the boys recognizing her, starts a nonprofit with Rita to identify the bodies of cartel victims and return them to their families. She even falls in love with cartel widow Ephiana Flores (Adriana Paz). Jessi threatens Emilia's happiness when she wants to marry Gustavo and take the children to a new home, leading Emilia to attack Jessi. Jessi retaliates by taking the boys. The escalating stakes ends with Emilia kidnapped by Gustavo, and the trio on a road to tragedy that ends when Jessi realizes the truth about Emilia a little too late.

The Song and Dance: Wow. No wonder this got so much initial praise. Most musicals don't get anywhere near crime drama. This is a unique action tale with Mexican grit, French flair, and some fabulous performances. Gascon's ability to be equally passionate as Juan and Emilia got her the first Oscar nomination for a transgender woman. Saldana won for her weary-yet-caring Rita. Audiard's dynamic direction and the dusty costumes and sets manage to make the most of the lower-budget filming in France, with the gritty-yet-flamboyant outfits of particular note.

The Numbers: "El Alegato" details Rita's dull world as she walks among cleaning ladies after work, while "Todo y Nada" is the offer that changes her life. "El Encutrento" has Juan explaining why he wants to change himself. "La Vaginoplastia" and "Lady" covers Rita's attempt to find doctor willing to perform the gender-changing surgery. "Deseo" is what finally convinces the Tel Aviv surgeon to do it. "Poor Casualidad" is Rita and Emilia's reuniting in London, while Jessi gets back with Gustavo in "Bienvendia."

Emilia remembers her own crimes in "Mis siete hermanos y yo." "Papa" makes her realize that her kids are a lot more estute about identity than their mother, while "Para" details the start of the nonprofit. The hit here was "El Mal," as Rita protests the dangerous people Emilia has putting money into their business. Emilia falls for Ephanaia in "El amor." Jessi's more than happy to assert her independence with Gustavo in "Mi Camino." She finally realizes too late who Emilia truly is in "Perdoname." It ends with Ephania and the many former criminals Emilia helped celebrating her legacy in the streets with "Les damas que pasan."

Trivia: Won two Oscars for Supporting Actress (Saldana) and Best Song ("El Mal"). 

What I Don't Like: First of all, I don't speak Spanish, so I really can't tell how good or bad anyone's accents are. I know a lot of people complained about Mexico not being represented accurately, about France not looking a whole lot like Mexico, there being only one transgender character, and the huge focus on their surgery early in the film. That the drug cartels are made to look sympathetic doesn't come off so great, either. Some critics simply objected to how the musical numbers were often badly edited, with poor dancing and so-so singing. 

The Big Finale: Spanish-speaking adults or those who don't mind subtitles on a movie and are looking for a truly unique action film may be the biggest audience for this exploration of gender, tragedy and kindness.

Home Media: Netflix exclusive in the US.